Tchaikovsky – Piano Concerto 2 in G, Op. 44 (1880)

An underappreciated work, completed two years after the first piano concerto. It premiered not in Moscow, but in New York City. Like Tchaikovsky’s violin concerto, this work was heavily cut to their detriment. For the equilibrium of the whole, the concerto must be played as the composer intended. There are some banalities in the first…

Beethoven, manuscript of the Arietta, Op. 111

Beethoven – Piano Sonata 32 in c, Op. 111 (1822)

Beethoven never repeats himself, insists András Schiff. And adds that this sonata is “one of the wonders of mankind.” It moves, and moves one, in a kind of exaltation, to borrow the word from Anton Kuerti. American musicologist Richard Taruskin, in his massive but marvellous Music in the Seventeenth and Eighteenth Centuries (2010), gives an extensive…

Gloria, RV 589 – Antonio Vivaldi

A superb rendition of the Gloria, RV 589, another of Vivaldi’s many remarkable compositions. The tempi are convincing and interrelate exceedingly well within the whole. The harmonic depth and modulatory interconnections are always in the fore. The singing is expressively flawless, and the conducting a feat of organization, control, and musical realization. The whole is…